There is a tiredness that many expats feel long after their boxes are unpacked.
By , in Opinion · 18 Oct 2026, 11:01 · 0 Comments
There's an obvious fatigue to moving countries - present, yet temporary.
Months can pass, sometimes even years, and life looks settled without really feeling truly anchored. The paperwork is done. The view is still admired. But daily life can carry a quiet weight that is hard to name.
Many people who move to Portugal expect a clear emotional sequence: stress, relief, happiness. Fewer expect the middle stretch. A long, quiet period where nothing is wrong, but a new way of life has yet to feel entirely effortless.
Simpler on paper
Small things build up. A routine errand still takes longer than expected. A conversation almost flows, then stalls. A sense of competence has not returned, even though life appears simpler on paper.
Mailing an overseas letter, looking for an item in a grocery store that can't be found, trying to get through an automated menu on a phone that can't be asked to repeat itself. None of this feels dramatic enough to raise alarms. It simply repeats, day after day.

This phase often goes unspoken. Among friends, the move is still described as "the best decision we made." Online, life appears calm, resolved and happy.
Privately, many people often describe something a bit heavier. Not unhappiness exactly. More like the steady work of recalibrating who they are without the systems that once carried them. The culture shock of relocation.
Disorienting stage
Portugal's unhurried tone also plays a role. Systems work on their own timelines. Relationships often develop slowly.
There is little pressure to perform, yet the absence of that pressure can leave people suddenly feeling adrift. Without that resistance, identity does not always take shape quickly.
For long-term residents, this can be the most disorienting stage. You no longer feel new, but you do not yet feel fully rooted. Leaving would feel dramatic.

Yet staying still requires action. Some interpret this exhaustion as personal difficulty, rather than a natural response to extended transition.
Starting over is not a single moment. It is a prolonged psychological process that continues well after the practical milestones are reached. Belonging arrives on a different schedule than residency cards or utility contracts.
The most human part of this phase is its contemplation. Over time, it asks whether you are willing to let a new version of yourself take hold. Slowly, and with less certainty than before.
Disclaimer:
The views expressed on this page are those of the author and not of The Portugal News.
Kam Heskin is an American writer, journalist, presenter, and actress who spent 25 years in Los Angeles building an extensive career in front of the camera. Her credits include Steven Spielberg’s Catch Me If You Can, playing the female lead, Paige Morgan, in three films in The Prince & Me franchise, and major roles in the NBC daytime dramas Sunset Beach and Passions. She has also appeared in various television series including Charmed, Angel, and CSI: NY.
A graduate in Communications and Political Science, Kam has always had a parallel interest in writing and storytelling. In Los Angeles, she contributed to luxury fashion and lifestyle magazine Genlux. Since moving to Portugal in 2022, she has written for Wherever magazine, where she was a columnist and social editor, creating and running Seen in the Algarve, the magazine’s social diary, for three years.
Today, Kam writes and creates video content for The Portugal News and also presents its online weather reports. Her work draws on decades of on-camera experience, a journalist’s curiosity and the perspective of an American building a life in Portugal. Away from the camera and keyboard, she can usually be found playing padel, exploring the Algarve or spending time with her two sons.

Kam Heskin
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