Inside Conor Kennedy And Giulia Be’s Three-Day Wedding In Rio De Janeiro

When Brazilian pop star Giulia Be first saw a photo of Conor Kennedy, she was immediately intrigued. “I remember thinking, ‘Wow, he’s cute,’” she recalls. In 2021, the two were introduced virtually by Conor’s sister, Kyra, and they followed each other on Instagram soon after.

After Giulia suffered a serious head injury that same year, Conor – an attorney and the great-nephew of former United States President John F Kennedy, Jr – reached out to check on her, sparking a back-and-forth via DM that would quickly evolve into something more.

At the time, Giulia was filming the Netflix movie Depois do Universo in Brazil, while Conor was studying in the United States. For the next five or six months, they exchanged lengthy WhatsApp messages. “We started calling them our love letters,” Giulia says. “When we finally met in person in California in 2022, I joked that it was either an unbelievable catfish situation or marriage.” By their third date, Conor was already introducing Giulia as his girlfriend.

In August 2024, three years later, Conor proposed at their new Los Angeles home before they’d even moved in. Under the pretence of needing help with furniture, he asked Giulia to stop by after what had already been a difficult day at the recording studio. “The house was dark, and when he didn’t answer my calls, I started to worry,” she remembers. Giulia eventually entered through the back door, inadvertently bypassing the cameras Conor had set up to capture her reaction. Fortunately, his laptop recorded the moment.

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Inside, the living room was filled with candles, and as Elton John’s “Your Song” played in the background, Conor got down on one knee. He told Giulia that he’d loved her since the moment they’d met and that he wanted to spend the rest of his life loving her. “I said ‘yes’ before he’d even finished asking,” Giulia recalls. “It was intimate, completely unexpected, and so us.”

When it came time to plan their wedding, there was never a question as to where it would take place. Despite the groom’s close ties to Massachusetts, “We wanted to celebrate not just the wedding, but also Rio de Janeiro, the city we love,” Giulia says of their decision to marry in her hometown.

After settling on a location, the couple spent the first year of their engagement enjoying the moment rather than rushing into wedding planning. When they were eventually ready to get started, they enlisted event planner Anna Carolina Werneck, and Giulia threw herself into researching vendors and considering every detail. Though, she admits, she couldn’t have done it without her mother. “I swear, if it weren’t for my mom, I probably would have given up halfway and gone to Las Vegas to wing it!” Giulia jokes. “She was my absolute saviour. Whenever I had decision fatigue, she would decide, and whenever she had decision fatigue, I would decide. Besides being my mother, she’s also my manager, and my best friend… it was a really special exchange.”

The three-day celebration began on Thursday 8 October, with a welcome party featuring a performance by the samba school Unidos de Vila Isabel. “It was such a fun way to welcome everyone to Rio,” Giulia says. The following day, the couple invited their guests to Ipanema for a beach volleyball tournament – a distinctly Brazilian take on a Kennedy family tradition. “Conor’s family usually has sporting competitions around their weddings!” Giulia explains. “Since we’re in Rio, volleyball on the beach feels much more natural to us.” On Friday 9 October, they had a blessing at the Capela de Nossa Senhora Aparecida inside the city’s iconic Christ the Redeemer statue. “Being there, overlooking Rio, with our family was one of those moments I’ll never forget,” Giulia says. Finally, on Saturday 10 October, Giulia and Conor exchanged vows at the historic cathedral of Nossa Senhora do Carmo da Antiga Sé, followed by a celebratory lunch and reception at Instituto Brando Barbosa.

For a bride who recently released a trilingual album, it was only fitting that her wardrobe be similarly international, featuring designers from Spain, Brazil, the United States and the United Kingdom. For the welcome party, Giulia wore a custom dress by YolanCris, a Spanish fashion designer she discovered on Pinterest. “I saw one of their capes on Pinterest and wanted to know who made it,” she recalls. “Before I could DM them, they had already messaged me offering to create a custom look.” The finished cape featured embroidered personal references, including the couple’s matching tattoo and the Leo constellation.

Her second look was by PatBo, the Brazilian label founded by longtime friend and collaborator Patricia Bonaldi. “It was important to me to wear Brazilian fashion at my own wedding,” Giulia says.

For the blessing at Christ the Redeemer, Giulia turned to Calvin Klein, a brand she’s worked with for the past three years. After reviewing about 20 sketches, she decided on a minimalist silhouette and a pair of sheer opera-length gloves. “We landed on a timeless dress with the right amount of drama, which is the essence of the brand,” she explains. The look was also reminiscent of the understated elegance of Carolyn Bessette Kennedy, Conor’s late aunt by marriage.

For the ceremony itself, the bride enlisted Harris Reed to create her wedding look. “I DMed him expecting no reply, and he answered within 10 minutes,” she recalls. Over the course of eight months, she travelled to London five or six times as they worked on the design, incorporating lace from the historic French house Solstiss. “I knew I wanted long sleeves and a high neck, and the sleeve itself was a decision we made together, inspired by ’70s romanticism and a little bit of Star Wars – like Padmé’s looks,” Giulia explains. “The final result is beyond what I imagined.” For the after-party, Giulia changed into another Harris Reed look, and accessorised with pieces from Tiffany & Co.’s high jewellery archive. Brazilian accessories brand Luiza Barcelos created Giulia’s custom shoes, as well as personalised flip-flops for the guests to slip on once the dancing began.