

Photographed by Corey Tenold
Though rarely uttered in the same sentence as brands such as Ralph Lauren or Calvin Klein, there’s a case to be made for Victoria’s Secret being one of America’s great fashion exports. Despite its skimpy output—bras, underwear, and other barely-there underpinnings—it casts an outsize spell on consumers, not to mention our national sense of self. To wit: Last year Victoria’s Secret raked in some $6.5 billion (up 5% year-over-year), and its tentpole marketing bonanza—the Victoria’s Secret Fashion Show—attracted an estimated 2.9 million pairs of eyeballs. While some other brands may have bragging rights for hosting the most exclusive shows, Victoria’s Secret can handily boast about being the biggest.
The Victoria’s Secret Fashion Show is back, yet again, this time with its “angels” touching down on the West Coast. This year’s blowout takes place on the Sony lot in Los Angeles, where a lineup of A-list models (Gigi Hadid, Paloma Elsesser, Adriana Lima, Candice Swanepoel, Ashley Graham, Joan Smalls, and many more) traipsed the length of the runway between bookings from au courant pop stars that prove the brand’s cultural (and financial) might: Tate McCray, KATSEYE, Megan Moroney, and Megan Thee Stallion included. And, of course, the return of the brand’s much-ballyhooed Fantasy Bra, a curve-hugging piece of lingerie that is loaded up with diamonds and revealed on a VIP model.
“I think that we’re sort of this idea of the American dream, and certainly the American fantasy,” says Adam Selman, who’s held the titles of executive vice president and chief creative officer at Victoria’s Secret for around a year and a half. Under his purview, the brand has had to execute a tricky dance—to be sexy without being prurient, playful without being cheesy, desirable without being condescending. “I think that along the brand’s journey, it’s done an amazing job of capturing that cultural relevancy,” he continued. “And the show really did that. It cut through. It still does that today as being one of the biggest fashion shows in the world and something that millions and millions of people tune into.”
Selman recalls his mother averting his eyes from the Victoria’s Secret stores when he was growing up outside Waco, Texas, and later, tagging along with his female friends when they would visit one of its mall outposts. Selman—who has previously worked with the influential costume designer Zaldy and the mega star Rihanna on her own lingerie line Fenty—was named executive vice president and chief creative officer last year. Under his tenure, he says, he wanted to keep “the joy of the brand” front and center, while maintaining a sense of humor. “The brand has its own kitschy past and its own sense of humor—everything with a wink and a nod,” he says. “And I love that.”
It’s no big secret that Victoria’s Secret is divisive—misogynistic to some, old-fashioned fun to others. Selman has been able to add a layer of camp on top that gives its boudoir romp ethos a layer of knowingness. “I don’t want to dress women up like dolls or in costumes,” Selman says. “I want it to be fun, and I want it to be serious at the same time, but always with the utmost respect for women.”
“We don’t have to lose what the brand inherently stands for without being a modern, inclusive version of that,” he added. “The two can exist together.”
Ahead of the big day, we sent our photographer to capture the backstage prep that goes into one of the biggest fashion shows in the world.

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold

Photographed by Corey Tenold
Max Berlinger is the senior fashion news editor for Vogue Runway. He’s written for various publications, including the New York Times, GQ, the Wall Street Journal, the Guardian, Bloomberg, New York Magazine, and many others. He lives in Brooklyn and has a small terrier named Edie. ... Read More

